The hero
of Jacques Offenbach's final work (and he was far more than just an operetta composer!) for the Paris Opéra-Comique is the romantic poet E.T.A. Hoffmann — a man in the grip of a deep creative crisis, who conjures up "Tales" in which his beloved appears to him in three different guises. In Mariame Clément's production, Hoffmann — played with dazzling charm by Benjamin Bernheim — is reimagined as a Wes Anderson-style character: a film director trapped in the 1960s, haunted by his own nightmares. He lives next to a Hollywood studio, pushes a shopping cart around, and eats in a canteen populated by extras in costume — Roman guards, cowboys, Baroque aristocrats, and aliens.
The role of Stella — and the three fairy-tale heroines who embody her — is sung by soprano Kathryn Lewek: powerful, charismatic, with coloratura as pure as a bell. Christian Van Horn takes on the roles of Lindorf and his various incarnations throughout the tales. At the podium, conductor Marc Minkowski brings to life a score where sharp wit rubs shoulders with tender emotion and tragic passion.